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With a career stretching four decades, award-winning British artist Paul Winstanley has established an international reputation for his highly atmospheric photorealistic paintings of empty non-descript places and anonymous figures. According to the chief art critic of the Los Angeles Times, his carefully balanced minimalist compositions conjure ‘a lovely, contemplative expressiveness’, while Time Out New York wrote that ‘with considered – and considerable – nuance and deftness, he makes a case for the continuing relevance of painting and its capacity for translating seeing into feeling’. Now Winstanley turns to the medium of writing to translate his experience of painting into words. Taking fifty-nine of his own works as a starting-point, he presents a series of episodes that together reveal what it means to conceive, make and think about paintings as an artist.
